Array ( [id] => 286374 [appid] => 1 [topicid] => 0 [galleryid] => 0 [channel_pc] => 1 [channel_wap] => 1 [channel_phone] => 1 [channel_pad] => 0 [title] => 香山九老图 寿山田黄石315g 郭懋介 [editor] => (文化报)吴文星 [has_thumb] => 1 [created] => 2022-09-20 11:27:20 [createdby] => 10080 [createdip] => 110.88.32.237 [published] => 2022-09-20 11:27:20 [publishedby] => 10080 [modified] => 2022-09-21 09:39:35 [modifiedby] => 10125 [up_line_time] => 0 [down_line_time] => 0 [digg] => 0 [pv] => 1175 [virtual_pv] => 410 [virtual_digg] => 0 [click_pv] => 0 [comments] => 0 [shares] => 0 [recommend] => 0 [audit_step] => 0 [importance] => 0 [status] => 6 [enableaudit] => 1 [enablecopyright] => 0 [locktime] => 0 [locker] => 0 [sort] => 0 [watermark] => 0 [is_auto_published] => 0 [origin] => 0 [syscomments] => 0 [cdv_id] => [cdv_type] => 0 [content] =>


名称:香山九老图

石种:寿山田黄石

重量:315g

作者:郭懋介

这枚田黄石重逾六两,在如今田黄石以克计价的大环境下,颇有鹤立鸡群之貌,同时质地温凝润泽,宝光流溢。由郭懋介大师作薄意“香山九老”图。唐朝诗人白居易曾在故居香山(今河南洛阳龙门山之东),与胡杲、吉旼、刘贞、郑据、卢贞、张浑及李元爽、禅僧如满八位耆老集结“九老会”。退身隐居,远离世俗,忘情山水。

郭懋介大师的雕刻因型就势,沿着石上原有的格纹雕刻树干、山石,使其与画面融为一体,描绘了一种悠闲自得的生活方式,更是古代文人雅士隐逸思想的深刻体现。而无论是树木、竹石、人物、远山,尽皆精微,无愧大师风范。


[subtitle] => [pagecount] => 1 [sourceurl] => [description] => 由郭懋介大师作薄意“香山九老”图 [thumb] => [{"url":"\/a\/10001\/202209\/7efc827833f2a281e36832b070431eb3.jpg","id":"2451969"}] [url] => /p/286374.html [all_pv] => 1175 [pages] => 1 [author] => [terms] => Array ( [2] => Array ( [0] => 香山 [1] => 郭懋介 [2] => 田黄石 [3] => 大师 [4] => 雕刻 ) ) [menu] => [attachments] => Array ( ) [relates] => Array ( ) [article_thumb] => https://www.zohi.tv/a/10001/202209/7efc827833f2a281e36832b070431eb3.jpg ) 1

香山九老图 寿山田黄石315g 郭懋介

2022-09-20 11:27  


名称:香山九老图

石种:寿山田黄石

重量:315g

作者:郭懋介

这枚田黄石重逾六两,在如今田黄石以克计价的大环境下,颇有鹤立鸡群之貌,同时质地温凝润泽,宝光流溢。由郭懋介大师作薄意“香山九老”图。唐朝诗人白居易曾在故居香山(今河南洛阳龙门山之东),与胡杲、吉旼、刘贞、郑据、卢贞、张浑及李元爽、禅僧如满八位耆老集结“九老会”。退身隐居,远离世俗,忘情山水。

郭懋介大师的雕刻因型就势,沿着石上原有的格纹雕刻树干、山石,使其与画面融为一体,描绘了一种悠闲自得的生活方式,更是古代文人雅士隐逸思想的深刻体现。而无论是树木、竹石、人物、远山,尽皆精微,无愧大师风范。